January 2021
“Architectural inscriptions of Landscape and Nature in the Subcontinent, 1945-1989,” in Modern Architecture in South Asia: The Project of Decolonization, published on the occasion of the exhibition “Modern Architecture in South Asia: The Project of Decolonization” at The Museum of Modern Art, New York, eds. Martino Stierli, Sean Anderson, and Anoma Pieris (New York: The Museum of Modern Art, Jan 2021).
Summer 2020
“Sustained Flight: Kishi Kota’s Atomic Architecture,” in Expansions: 100 Responses to “How Will We Live Together?”, published on the occasion of the 17th International Architecture Exhibition of La Biennale di Venezia 2020, eds. Hashim Sarkis and Ala Tannir (Venice: La Biennale di Venezia, Summer 2020). Publishing date deferred on account of Covid-19.
June 2020
“What is to be given—: Love Supreme and Chittaprosad’s Korean War Period Satire, 1950-53.” in Solidarity Must be Defended, eds. Eszter Szakács and Naeem Mohaiemen (Budapest: Tranzit – Eindhoven: Van Abbemuseum – Istanbul: SALT – Buenos Aires, Delhi, Johannesburg, São Paulo: Tricontinental, June 2020). Publishing date deferred on account of Covid-19.
Forthcoming
“One Last Hug: Repair and the nuclear since 3.11.” Symposium paper presented at Representation and Reparation in Global Contemporary Art, Institute of Fine Arts, New York University, 27 September, 2019. Work-in-progress for peer review publication.
Forthcoming
“The Protagonist and Folklore of Justice: The Progressive History of TV Santosh.”
Retrospective catalogue of TV Santosh, The Guild Art Gallery, Mumbai.
Forthcoming
“New Asia/新亜細亜: Internationalism and Images of Friendship in Japanese wartime magazines (1938-45).”
Paper presented in the panel Japanese Imperialism and Narrative Media in the Long 20th Century, Joint East Asian Studies Conference, University of Edinburgh, 4-6 September 2019.
February, 2019
“Other than nation.” Art in America
June 2018
“Conversation: Sameep Padora with Prajna Desai.” @post, MoMA, New York.
Forthcoming
“Jishuku: The legacy of mid-century censorship in contemporary Japanese art.“
Paper presented at Cultures of Occupation: Establishing a Transnational Dialogue, University of Nottingham, 12-14 January, 2018
Summer 2017
“Shomei Tomatsu: Nagasaki.” Aperture
February 2017
“Given Time, The Gift and its Offerings.” Artforum
February 2017
“Body Luggage.” Artforum
January 2017
“How Perfect Perfection Can Be.” Artforum
January 2017
“Reinvention Through A Rearward Eye: Kerry James Marshall’s Mastry.” riotmaterial.com
December 2016
“Gauri Gill.” Aperture
November 2016
“Speaking Out: Interview with Navjot Altaf.” Frieze
April 2016
“3.11 Still Haunts: Art and photography five years since the tsunami.” Guernica
April 2016
“Roppongi Crossing.” Frieze
August 2015
“Obituary: Charles Correa.” Artforum
May 2015
“T. Venkanna.” Art in America
March 2015
“Shinro Ohtake.” Art in America
December 2014
“Constructing Worlds.” Aperture
March 2014
“Amol Patil.” Frieze
October 2013
“Barbed Floss.” Frieze
August 2013
“Outside, In.” Aperture Magazine
May 2013
“Nityan Unnikrishnan.” Frieze
March 2013
“See, Memory.” Aperture
February 2012
“Bhimayana.” The Comics Journal
November 2011
“Kashmir Pending.” The Comics Journal
August 2011
“Homma Takashi’s New Documentary.” Aperture
August 2010
“Changing the Focus.” Aperture Magazine
April 2010
“Rachel Whiteread Drawings: Casting Rhetoric Aside.” Art in America